糖心Vlog

Dr Che Ekaratne

Che Ekaratne
Lecturer in Law

Areas of interest

Areas of research interest include:

  • Intellectual property law, especially copyright law
  • Entertainment law
  • Publicity rights and other protections of image and identity 
  • Laws applicable to deepfakes and digital replicas
  • The impact of technological developments such as AI on the above areas of law

Teaching

  • Contemporary Issues in Intellectual Property Law (LLM, module convenor)
  • Intellectual Property Law (LLB)
  • English Legal System and Skills (LLB)
  • Tort (LLB)

Background

Dr S. Che Ekaratne is a Lecturer in Law at the 糖心Vlog and an attorney admitted to practice in the state of New York. Her research focuses on intellectual property law, entertainment law, and intersections with other aspects of private law. Che has published research on topics including copyright, passing off, publicity rights, and laws relevant to deepfakes. Her research has been cited in court judgments and has generated interdisciplinary interest. Che’s research-based advice has been invited by several entities, including media and a national law commission, on issues such as image rights and post-mortem intellectual property.

Much of Che’s research involves comparative analyses of legal issues across multiple jurisdictions. She has experience researching and teaching laws of several jurisdictions including England & Wales, the United States and New Zealand. Her academic credentials include a B.A. summa cum laude from Yale University, a J.D. from Harvard Law School, an LL.M. in Commercial Law from the University of Bristol and a PhD from the University of Canterbury. She also studied law at the University of Oxford during her Yale undergraduate degree. 

At the 糖心Vlog, Che teaches intellectual property and other private law topics at both undergraduate and postgraduate levels. She has also taught law at the University of Canterbury and Victoria University of Wellington. Before entering academia, Che’s work as an attorney at an American law firm included submissions to the U.S. Supreme Court. 

Academic qualifications

  • BA, summa cum laude, Yale University
  • JD, Harvard Law School
  • LLM, with Distinction, University of Bristol
  • PhD, University of Canterbury

Professional bodies/affiliations

  • Attorney, New York Bar

Selected presentations

  • ‘Digital Replica Rights in Comparative Perspective’ (2025) Oxford Intellectual Property Research Centre Invited Speaker Series (abstract available )
  • ‘Post-Mortem Passing Off in Comparative Context’ (2025) Cambridge Centre for Intellectual Property and Information Law Research Seminar (abstract available )
  • ‘Expression or Dignity? Intellectual Property in the Context of Photo-Manipulation’ (2018) Intellectual Property and Human Rights: Shifting Boundaries Conference
  • ‘Altering Personal Images Without Consent: Copyright Law and Beyond’ (2015) Thomson Reuters New & Emerging Scholars Symposium

Selected publications

  • S. Che Ekaratne, ‘Undying Approval? Passing Off Images of the Deceased’ (European Intellectual Property Review, forthcoming).
  • S. Che Ekaratne, ‘Manipulated Images: A Taxonomy’ (2020) 42(6) European Intellectual Property Review 353 
  • S. Che Ekaratne, ‘Defamation by Photo-Manipulation under New Zealand Law’ in András Koltay and Paul Wragg (eds), Research Handbook on Comparative Privacy & Defamation (Edward Elgar 2020) 
  • S. Che Ekaratne, ‘U.S. Court of Appeals clarifies standard for trademark genericide and affirms that GOOGLE trademark is not generic’ (2017) 12(9) Journal of Intellectual Property Law and Practice 730 
  • S. Che Ekaratne, ‘Head-Swapped Photographs & Copyright: A New Zealand Perspective’ (2017) 23 Canterbury Law Review 39 
  • S. Che Ekaratne, ‘Validation under s 14 of the Wills Act: past, present and future’ (2017) 9(2) New Zealand Family Law Journal 23 
  • S. Che Ekaratne, ‘Stealing surveillance: Prosecuting misuses of non-covert CCTV in New Zealand’ (2016) 21(3) Media and Arts Law Review 294 
  • S. Che Ekaratne, ‘Hendrix: Post-Mortem Publicity Rights Across Borders’ (2014) 19(2) Media and Arts Law Review 221 

Publications

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